this week's passages: isaiah 61:1-8, luke 5:1-11
The familiarity of this story is comforting. It is favorite of
Scripture, often taught in Sunday school for its fun and interactive
images of fish. But, as I read it this week, I was struck in new ways
by the words of the text.
In many
translations, Jesus says to the trembling Simon Peter, "Do not be
afraid, from now on you will be catching people." They leave a full
catch of fish, they leave their families and their businesses, they
leave what defines them, and they follow this strange call of Jesus to
"catch people."
This is a beautiful
passage that reveals the nature of discipleship, but it is also a
passage that can be twisted to oppress, to subjugate, to force others
to submit to our religious will under the guise of making disciples, of
saving people, the guise of catching people for Christ.
None
of us can live without our history. This month we celebrate Black
History Month or African American history month, depending on who you
talk to and what you read. We take time to celebrate the the
remarkable history of a people that have changed this country. But, I
believe that we should also take time to remember the history of
subjugation of people of African descent in this country, and use these
moments to continue to fight against racial oppression.
As
a white woman from the middle of the country, I grew up knowing some of
this history, and being ashamed of the likely role of my ancestors
played in enslaving people. This history was embedded in our
communities, as we lived along the very river that marked freedom for
many hundreds and thousands over people over many decades. In my
aunt's house outside of Cincinnati, as I put my head into a hollowed
out wall that protected people seeking freedom along the underground
railroad, I felt torn apart. I know that it is likely that parts of my
family supported and engaged in slavery, and that parts of my family
opposed and fought against slavery. History is muddy. But it is a
part of who we are. We cannot leave our history.
The
history of slavery is the history of this country. The history of
Africans brought here on slave ships is the history of this country.
The history of black people of all kinds of stories, backgrounds, and
origins, is the history of this country. History is muddy. But it is
a part of who we are. We cannot leave our history.
So
what does it mean to catch people? In our shared history, when have we
caught people? When have we made disciples? When has catching people
involved our need to control others? When has it involved our
willingness to freely engage with others, learn from others, through
Christ?
Reading this story this
week, at the beginning of Black history month, as a white young woman,
I was deeply bothered. The first thing that came to mind, upon reading
"Do not be afraid, from now on you will be catching people" was the
pursuit and capture of Kunta Kinte, in Alex Haley's novel Roots. He
describes the capture and kidnap of the young man in all of its
terror. Each of the 12 million souls trafficked across the Atlantic
from Africa to places all over the Western Hemisphere were caught.
Caught. They were were people who were caught. Many of them were
forced to change their beliefs, to change their religion. Disciples
were being made, people were being caught, but not in the way that
Jesus called us to.
When we share our
faith, when we engage with other people, we have a choice. We choose
to be open to the other person and risk being changed. Or, we choose
to defend our sense of self, controlling, oppressing, and subjugating
the other person, asking or forcing them to become like us if they want
to be in relationship with us.
Jesus
calls us to be open. Often we choose not to be. Each time we have
chosen not to be, whether as a society, or as an individual, is becomes
a part of our history. Those times that white people have chosen to
control and subjugate others are a part of my history. The suffering
that resulted is a part of my history. I cannot change that.
But,
I can choose how to engage my history. I can choose how my history
will shape me, and how it will lead me into the future. All of us make
that choice, and as a part of all kinds of communities, we make those
choices together.
Twice in this story,
Simon Peter was tempted to be limited by his history, to be bound by
his history. He was tempted to believe that the story could never
change. First, when Jesus tells him to let down the nets, he talks
back. "But, we have been working, really really hard to no avail. We
work and we work and work and we work, and we see no fruits of our
labor. We have worked all night and caught nothing." He was almost
trapped by his own lack of imagination. He was almost trapped by his
history.
But Jesus transformed the story, and the nets were full of fish.
Why
be proven wrong once, when you can be proven wrong twice? Simon Peter
bows to the Christ, recognizing his Savior. But rather than see the
way he can change to follow his Savior, he only see his own
inadequacy. "I cannot be a part of your story. I am not faithful
enough. I am not good enough. I am trapped by who I have been. I will
never change." Again, he was almost trapped by history.
But again, Jesus transformed the story. And they gave up everything and followed him.
Jesus
was not done with Peter. Again and again, Peter messed up as a
disciple. He was far from perfect. Again and again, he was tempted to
be trapped by his own history. But, again and again, he was
transformed in Christ, perpetually becoming a disciple.
We can choose to be open or we can choose control. We choose how we relate to our history.
Faith Ringgold chooses to be open, and in the process, she transforms history and uses to be inspire change.
Faith
Ringgold was born in Harlem in 1930 to a mother who was a fashion
designer. Her life was always infused with creativity, color, fabric
and stories, but it was not until after she became a mother and taught
art that she truly transformed into the artist many of us know today.
She is most well known for her story quilts, that combine a love of
history, a love of story, a love of color and a love of painting.
She
knows her history. She engages her history. And then, she re-frames
her history to challenge us all to see differently and to be changed.
The
transatlantic slave trade is one of the darkest and most horrifying
moments in our history, when the cruelty of mankind seemed at its
height. Between the 16th and 19th centuries, 12 million people arrived
in the Western Hemisphere from Africa, through capture and trade on the
shores of the continent. Millions more were captured but died in the
bowels of ships along the way. Low estimates place the number of
deaths around 8 million. Many fear it could have been twice that. This
epidemic of depravity was supported and blessed by religious leaders
under the guise of catching people for Christ.
Faith
Ringgold transforms this history in "We Came to America." She shows
the panicking, struggling and dying Africans thrown into the Ocean from
a burning slave ship. But, she also paints the Statue of Liberty as a
Black woman. This transformation calls our attention, no matter what
our race, to the suffering that built this country. She shows us who
the true tired, poor, huddled masses yearning to breathe free
really were. Those masses included every soul that died in a slave
ship somewhere in the Atlantic, and every soul dehumanized by being
"owned" by another. She chooses not to be bound by history, but to unpack it, and to transform it so that we can transformed.
As
an African American woman artist, Faith was often an outsider. Though
she was born in the city that became the center of the art world by the
middle of the 20th century, she was not reflected in that art world.
But, she was influenced by black aesthetics and European modernism.
She was influenced by amazing black women who changed our world, and by
a mentally ill artist who loved to paint in Arles. Still, she worked
on the margins of the art world, largely due to history.
She
knew this. So she painted a new history. This story quilt is part of
a series that tells the of a fictional artist, not unlike herself, who
comes from America to France to engage in the artistic ferment at the
end of the 19th and beginning of the 20th century. But this quilt is a
fantasy beyond that. She brings together eight extraordinary
women-Sojourner Truth, Harriet Tubman, Madame CJ Walker, Zora Neale
Hurston, Mary McLeod Bethune, Ida Wells, Fanny Lou Hamer, Ella Baker
and Rosa Parks. They quilt alongside the creativity of Van Gogh,
weaving together their vision of the world. She writes a history where
it is possible to be a black woman who is a famous artist, to be a
black woman that changes the world, and to be a black woman that is
friends with Van Gogh. Faith changes the story to change her future,
and the future of women of color. By transforming history, she writes
a new future.
God wants us to be able
to change our story. To not be trapped by our history, whether is a
history of our people being oppressed, or our people oppressing, but to
be transformed through Christ into new possibilities. This does not
mean we abandon our history. It simply means we change our
relationship to it. We unpack it.
The
God we know is the God of Isaiah, who is a God of Justice, who
proclaims jubilee, freedom from oppression, good news to the poor, who
binds up the brokenhearted and comforts those who mourn. This is a God
of change, of transformation, of endless possibility.
Simon
Peter gave everything up to follow this God as he experienced him in
Jesus. Even though he was prone to making mistakes, and he was prone
to be trapped by his history, he chose to believe that his story could
be changed, just as we see in Faith Ringgold's artwork. God wants us
to choose to risk. To be open to being changed by others, rather than
needing to capture and control them. God wants us to be open to our
history, to be transformed by it rather than controlled by it.
This
congregation has a history together. Each and every relationship
formed wtihint the walls of this churh has a history, but all of those
histories link together to form the history of this community, that
reaches back to 120 years ago, when fourteen people had enough faith to
charter a congregation. It is full of amazing and unlikely stories, of
God using people in surprising ways to building a community. That
history is embedded in our life together. The bell we ring to begin
worship, that bell was made possible by the effort of two young
girls--Ann Morrison and Myrtle Seammon--who collected money in what was
a small farming community at the time. Before there was even a
congregation, the history of God working in the world gave them the
faith to see the future and work towards it.
History is muddy. But, it is a part of who we are. We cannot leave out history.
But
we cannot be trapped by it either. God calls us to go and make
disciples, or as this morning's passage puts it, to catch people.
There is great hope for growth in this church. At the same time, many
folks feel like Simon Peter, having worked and worked and worked
without seeing fruit, and it is hard to keep going. But, if we are
not trapped by our history but are transformed by it through Christ, we
don't know what possibilities await.
We
have to be open. We have to risk. We have to choose to follow Jesus,
inviting people in, not to make them like us, not to assimilate them
into our community, but to learn from them and love them, open to what
they have to offer. Jesus calls us to mutuality, and it is that kind of
catching people that will make our nets full at the end of the day.
Our ancestors in this faith community followed that call, believed in
possibility when their was not evidence to support the future they
imagined. Will we?
There are hard
choices with hard times ahead. In the difficult moments, we are never
alone. We know that the Holy Spirit is among us, and we know that
Christ is leading us. The question we must ask ourselves is...we will
be like Simon Peter and his friend? Will we choose to risk, to leave
everything and follow Jesus?
Let us pray.
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